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Using Photoshop Brushes

The basics Create a new document, and bring up the Brush Tool by clicking on the little brush icon in the Tools palette, or hit B on your keyboard.

The Brush Tool You can define different sizes of brushes. To do this click on the Brush drop-down list in the toolbar above. You should see something like this:

This palette allows you to change the size and “hardness” of your brush, and also to choose from a predefined list of brushes that ship with Photoshop Brushes. If you use a particular size of brush a lot, and it’s not in the predefined list, you can save it by clicking on the little arrow at the top right of the palette and choosing New Brush Preset. Your brush will then appear in the list.

That’s the basics of accessing your brushes, but what can we do with them now? One of the great features about the brushes in Stock Photography is being able to create your own from virtually any shape you’ve drawn.

Here’s an example. In the grab below, I’ve created a flower from a photograph by selecting the colour from the petals, deleting everything else and filling the remaining image with black. You can see how to do this in our “Selecting stuff” tutorial. The flower is sitting on its own layer.

If I simply go to Image > Define Brush Preset (or Define Brush in earlier versions of the software), my shape will automatically turn up in the Brushes palette, and I can then “paint” with my new shape, which will take the colour of the current foreground colour in the Tools palette:

To get the best out of it though, you need to dig a little deeper for more options. If you simply paint with the default settings it really just gives you an ill-defined line or blob of your chosen shape. In CS2, though, you have a lot more control.

Open the Brushes palette (Window > Brushes) and on the left you’ll see an array of options to define what happens when you “draw” onto the canvas. For instance, the “Shape Dynamics” section allows you to experiment with multiple sizes and orientations of your chosen brush, all dynamically created on the fly as you draw.

One of the most important sections is “Scattering”. These controls allow you to create more diffuse patterns. Other options allow for control over opacity, colour etc. You can even add a pattern to your strokes, or use two brushes simultaneously.

One of the great results of this massive range of controls is that the likelihood of “happy accidents” is increased, and you can get some very individual results with really very little effort. Try repeating strokes of the brush with different settings/colours on different layers. You can also create some awful things, but that’s where the designer’s eye comes in!

Photoshop depends on its Photoshop Brushes for all manner of other tasks too. For instance, the Eraser tool, the Cloning tool and the History Brush all use brushes to define the size and shape of the area they cover. This means that you can combine all the settings we’ve covered above with many other tools, leading to some wonderful creative effects. You’re really only limited by your imagination, so be sure to have a good play with these options.

The brushes also work really well when combined with a graphics tablet, because they respond to the pressure information these devices provide. Photoshop illustrations really start to come alive when used with a tablet, and you can get much more organic results

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March 18, 2009 - Posted by | Design News, Design Training, Design Tutorials, Fonts Download, Free Photoshop Brushes, Free Web Templates, illustrations, photoshop brushes, Stock Photography, Web Design | , , , , , , , , , , , , ,

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